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August 2008
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Much of the evening's discussion centered around roux, that blend of fat and flour that gets more mysteriously fragrant and complex the longer you cook it. She used a blond, butter-based roux for a subtle cream soup of fresh artichokes and oysters. A medium-dark roux made with bacon drippings paved the way for a sherry-scented crawfish bisque worth of a formal meal. And the last one - "as dark as I am brave enough to make," confessed Roahen - provided the foundation for the seafood and okra gumbo. This one, made simply with vegetable oil, was the one to watch, literally. "You want to burn it, but you don't want it to be burnt," was how Roahen characterized the dark roux, which she or an assistant stirred for about 30 minutes until it was a shade lighter than dark chocolate. It had filled the room with a nutty, rich scent. She noted that those gumbos that turn out almost inky black are typically reserved for restaurant cooking: "The darker the roux, the thinner the gumbo. The lighter the roux, the thicker the gumbo." Of course, she made sure to say that there are never any fast rules regarding gumbo. Some folks use all three classic thickeners - roux, okra, file powder (ground sassafras leaves) - in their gumbo. Others think that's blatant heresy. Ditto the debate about the inclusion of tomatoes: Some feel that citified, but Roahen knows some country-living Cajuns who throw them in the pot. The Central Market cooking school staff did sprinkle some file on each serving, so we considered ourselves duly heretical. I wish I'd had more than a small cup of this elixir - I haven't had much luck finding good gumbo in restaurants here. Time to make some myself, I suppose. For more thoughts on true gumbo, check out the work Roahen did for the Southern Foodway's Alliance oral history projects here. |
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